Ariadne – Jennifer Maiden

[1949–current, Australian]

There is a claret light, a flood 
of chubby, meat-dark clouds, but you, intent, 
at first are in your old scent-satchel mood. 
Your hands are in the gliding mode, 
balletic, suppliant, sisterly, spin 
out grace in a web that love early 
crumbled to a fragrance, tannin-dry, 
but that dances now steadily, succulent, 
in revels, reverberant where within 
your threads and labyrinth you hold 
confined to the drunken god. 

Source: Maiden, J 1979, The Border Loss, Angus and Robertson, Australia.

Migrant – Jennifer Maiden

[1949–current, Australian]

In his chintz-cold window seat he
            clings
To cushions, chats of history
(not his) and doesn’t know
Or doesn’t mention, where he’ll go
Tomorrow
But, too tied to sleep, does try
With his little arctic sigh to sing
But conform – tunes won’t stay
            and no
Reasons remain to die.

Source: Maiden, J 1979, The Border Loss, Angus & Robertson, Australia.

The border loss -- Jennifer Maiden

[1949–current, Australian]

    Experience
depresses, discolours his vision.
Rainlight depresses the room,
the fire, snug as fantasy,
imperative to sanity this time.

I say, “They say in danger one’s
instincts are always wrong.” “Not if
you’ve perverted your instructs as long
as I have,” he responds. I study
his auden-face, destroyed
by reason’s pits and lines.

So highly strung, so debonair,
the violin confiding her
meditative scandals to
his yielding concentration.

“Intellect being mostly the
knack of half-recovery –
recuperation? – so the stupid
do hurt themselves more
& aggress more
in love, not knowing why”

all taut resistance in the voice, the face
deceiving by its bookish
reassurance, & the voice
as angry as an alcoholic sigh.

    Politic
on the candlesticks entwine
smug cherubim & mighty in
all their dainty pudgy
little powers, reflecting some
harmless breathless insouciant
truculence in his charm.
He builds skilfully, times
it to topple, but so slowly

“There were elaborate warranties
built into her hints
& spontaneities. I always
seemed to agree more formally
than seemed to be required.”

    Disarmed,
I’m slammed into his voice, I feel
its night-rattle, a lorry
to buck & bruise slow missions through the storm.

    I offer
“I thought that one was inter-
resting. That one almost won.”

Always he loses, needing
always to more than answer,
always to fulfil.
“The need makes me debauch,
make ritual,
make safe. When young
I’d a simple cruel urge to destroy
the destructive & to be,” his tone
seductive as a reaction, but
using his breath to tame
a grieving constriction in his lungs.

Womanless, the room suggests
muskily migraine & tampons &
mild pleasure mild duty mild martyrdom.

Source: Maiden, J 1979, The Border Loss, Angus and Robertson Publishers.

The Plumbing -- Jennifer Maiden

[1949–current, Australian]

The towels are already
stained red with clues.
Toilet,
wash-stand, bidet, shower
walled with slimy tiles, all
the colour of bad teeth.
The sleep
to people the dark with sighs.
The meal is bread soup. The china
tea-stained, hot. The broken cup
serves clotted castor sugar.
All injuries
the dull air soothes
the sickliness repairs
Due to default, the blows,
my clothes were wet, unkempt
and I was shrunk in them, and so
I had to come here after.
“You should have known
I’d be here: I’m
as losable as water”.

Source: Maiden, J 1979, The Border Loss, Angus & Robertson, Australia.